Saturday, December 31, 2005
Cairo is:
1. Dusty
2. Crowded
3. Chaotic
4. Full of friendly people
5. Inexpensive
6. A place where you'll get diarrhea no matter how careful you are
7. A place where you'll awaken at 4:30 every morning because of the thousands of loudspeakers blaring the call to prayer
8. Utterly worth visiting
9. The fresh produce is excellent
10. Huge population, very low wages ($2.00 per day), reliable electricity and oil supplies, close proximity to the EU: why aren't people building factories there?
Let me give a shout out to my new friends Zaher, Nirmeen, Milad, Dwight, Donna, and Fady.
1. Dusty
2. Crowded
3. Chaotic
4. Full of friendly people
5. Inexpensive
6. A place where you'll get diarrhea no matter how careful you are
7. A place where you'll awaken at 4:30 every morning because of the thousands of loudspeakers blaring the call to prayer
8. Utterly worth visiting
9. The fresh produce is excellent
10. Huge population, very low wages ($2.00 per day), reliable electricity and oil supplies, close proximity to the EU: why aren't people building factories there?
Let me give a shout out to my new friends Zaher, Nirmeen, Milad, Dwight, Donna, and Fady.
Wednesday, December 21, 2005
Sunday, December 18, 2005
Attention Artists
I would like to commission a six foot by six foot quilt copy of Gustave Bauman's Valle Grande. The colors need to match the original. Send me an email to discuss pricing.
I would like to commission a six foot by six foot quilt copy of Gustave Bauman's Valle Grande. The colors need to match the original. Send me an email to discuss pricing.
Valle Grande by Gustave BaumanThis gallery is 10 miles from my home and I had to follow a link on a blog from England to discover it. The world: she is a-changin'.
The Hyperbole Towers, by Ben Mathis-Lilley is a classic.
Yeah, I guess he's pretty good but can he dunk? via thingsmagazine (my usual source).
Saturday, December 17, 2005
What Was God Thinking?
By Rabbi Jonathan Sacks, Chief Rabbi of the United Kingdom and the Commonwealth.
It is the question of questions for religious belief. Why does God permit a tragedy such as the Indian Ocean tsunami? Why does He allow the innocent to suffer and the guiltless to die?
It was just such a disaster — the Lisbon tragedy of All Saints' Day, 1755, in which as many as 100,000 people died as a result of an earthquake followed by a tsunami and fire — that led Voltaire to write “Candide,” satirizing religious faith. The butt of his irony, Dr. Pangloss, is generally thought to be modeled on Gottfried Wilhelm Leibniz, the German philosopher who held that “all is for the best in this best of all possible worlds.”
What incensed Voltaire was that there were religious believers who thought that the quake represented God's anger at Lisbon's “sinful” ways. After all, didn't the Old Testament speak of divine anger? Were catastrophes not interpreted as punishment against sinful nations? Is there not justice in history? Yet, in the end, that interpretation was unsustainable. Why Lisbon and not other cities? Why were the young, the frail, the saintly among the casualties?
Even the most dogmatic found it hard to answer these questions. In any case, the suggestion is morally unacceptable. It blames the victims for their fate. After the Holocaust, such thoughts ought to be unthinkable.
Jews read the Bible differently. One of its striking features is that the most challenging questions about fate come not from unbelievers but from the heroes of faith.
Abraham asked: “Shall not the judge of all the Earth do justice?” Moses asked: “Why have you done evil to this people?” The book of Job is dedicated to this question, and it is not Job's comforters, who blamed his misfortunes on his sins, who were vindicated by heaven, but Job, who consistently challenged God. In Judaism, faith lies in the question, not the answer.
Earthquakes and tsunamis were known to the ancients. Job said: “The pillars of the heavens quake, aghast at his rebuke; by his power he churned up the sea.” David used them as a metaphor for fear itself: “The waves of death swirled about me. . . . The Earth trembled and quaked, the foundations of the heavens shook. . . . The valleys of the sea were exposed, and the foundations of the Earth laid bare.” In the midst of a storm at sea, Jonah prayed: “Your wrath lies heavily upon me; You have overwhelmed me with all your waves.” Yet God taught Elijah that He, God, was not in the earthquake or the whirlwind that destroys but in the still, small voice that heals.
What distinguished the biblical prophets from their pagan predecessors was their refusal to see natural catastrophe as an independent force of evil, proof that at least some of the gods are hostile to mankind.
In the ancient Babylonian creation myth, the Enuma Elish, for example, Tiamat, the goddess of the oceans, declares war on the rest of creation and is defeated only after a prolonged struggle against the younger god, Marduk. Essential to monotheism is that conflict is not written into the fabric of the universe. That is what redeems tragedy and creates hope.
The simplest explanation is that of the 12th century sage, Moses Maimonides. Natural disasters, he said, have no explanation other than that God, by placing us in a physical world, set life within the parameters of the physical. Planets are formed, earthquakes occur, and sometimes innocents die.
To wish it were otherwise is in essence to wish that we were not physical beings at all. Then we would not know pleasure, desire, achievement, freedom, virtue, creativity, vulnerability and love. We would be angels — God's computers — programmed to sing his praise.
The religious question is, therefore, not “Why did this happen?” but “What then shall we do?” That is why, in synagogues, churches, mosques and temples, along with our prayers for the injured and the bereaved, we are asking people to donate money to assist the work of relief.
The religious response is not to seek to understand, thereby to accept. We are not God. Instead we are the people he has called on to be His “partners in the work of creation.” The only adequate religious response is to say: “God, I do not know why this disaster has happened, but I do know what you want of us: to help the afflicted, comfort the bereaved, send healing to the injured and aid those who have lost their livelihoods and homes.” We cannot understand God, but we can strive to imitate His love and care.
That, and perhaps one more thing. After an earlier flood, in the days of Noah, God made His first covenant with mankind. The Bible says God had seen “a world filled with violence” and asked Noah to institute a social order that would honor human life as the image of God.
Not as an explanation of suffering but as a response to it, I will pray that in our collective grief we renew the covenant of human solidarity. Having seen how small and vulnerable humanity is in the face of nature, might we not also see how small are the things that divide us, and how tragic to add grief to grief?
By Rabbi Jonathan Sacks, Chief Rabbi of the United Kingdom and the Commonwealth.
It is the question of questions for religious belief. Why does God permit a tragedy such as the Indian Ocean tsunami? Why does He allow the innocent to suffer and the guiltless to die?
It was just such a disaster — the Lisbon tragedy of All Saints' Day, 1755, in which as many as 100,000 people died as a result of an earthquake followed by a tsunami and fire — that led Voltaire to write “Candide,” satirizing religious faith. The butt of his irony, Dr. Pangloss, is generally thought to be modeled on Gottfried Wilhelm Leibniz, the German philosopher who held that “all is for the best in this best of all possible worlds.”
What incensed Voltaire was that there were religious believers who thought that the quake represented God's anger at Lisbon's “sinful” ways. After all, didn't the Old Testament speak of divine anger? Were catastrophes not interpreted as punishment against sinful nations? Is there not justice in history? Yet, in the end, that interpretation was unsustainable. Why Lisbon and not other cities? Why were the young, the frail, the saintly among the casualties?
Even the most dogmatic found it hard to answer these questions. In any case, the suggestion is morally unacceptable. It blames the victims for their fate. After the Holocaust, such thoughts ought to be unthinkable.
Jews read the Bible differently. One of its striking features is that the most challenging questions about fate come not from unbelievers but from the heroes of faith.
Abraham asked: “Shall not the judge of all the Earth do justice?” Moses asked: “Why have you done evil to this people?” The book of Job is dedicated to this question, and it is not Job's comforters, who blamed his misfortunes on his sins, who were vindicated by heaven, but Job, who consistently challenged God. In Judaism, faith lies in the question, not the answer.
Earthquakes and tsunamis were known to the ancients. Job said: “The pillars of the heavens quake, aghast at his rebuke; by his power he churned up the sea.” David used them as a metaphor for fear itself: “The waves of death swirled about me. . . . The Earth trembled and quaked, the foundations of the heavens shook. . . . The valleys of the sea were exposed, and the foundations of the Earth laid bare.” In the midst of a storm at sea, Jonah prayed: “Your wrath lies heavily upon me; You have overwhelmed me with all your waves.” Yet God taught Elijah that He, God, was not in the earthquake or the whirlwind that destroys but in the still, small voice that heals.
What distinguished the biblical prophets from their pagan predecessors was their refusal to see natural catastrophe as an independent force of evil, proof that at least some of the gods are hostile to mankind.
In the ancient Babylonian creation myth, the Enuma Elish, for example, Tiamat, the goddess of the oceans, declares war on the rest of creation and is defeated only after a prolonged struggle against the younger god, Marduk. Essential to monotheism is that conflict is not written into the fabric of the universe. That is what redeems tragedy and creates hope.
The simplest explanation is that of the 12th century sage, Moses Maimonides. Natural disasters, he said, have no explanation other than that God, by placing us in a physical world, set life within the parameters of the physical. Planets are formed, earthquakes occur, and sometimes innocents die.
To wish it were otherwise is in essence to wish that we were not physical beings at all. Then we would not know pleasure, desire, achievement, freedom, virtue, creativity, vulnerability and love. We would be angels — God's computers — programmed to sing his praise.
The religious question is, therefore, not “Why did this happen?” but “What then shall we do?” That is why, in synagogues, churches, mosques and temples, along with our prayers for the injured and the bereaved, we are asking people to donate money to assist the work of relief.
The religious response is not to seek to understand, thereby to accept. We are not God. Instead we are the people he has called on to be His “partners in the work of creation.” The only adequate religious response is to say: “God, I do not know why this disaster has happened, but I do know what you want of us: to help the afflicted, comfort the bereaved, send healing to the injured and aid those who have lost their livelihoods and homes.” We cannot understand God, but we can strive to imitate His love and care.
That, and perhaps one more thing. After an earlier flood, in the days of Noah, God made His first covenant with mankind. The Bible says God had seen “a world filled with violence” and asked Noah to institute a social order that would honor human life as the image of God.
Not as an explanation of suffering but as a response to it, I will pray that in our collective grief we renew the covenant of human solidarity. Having seen how small and vulnerable humanity is in the face of nature, might we not also see how small are the things that divide us, and how tragic to add grief to grief?
Saturday, December 10, 2005
If you need a panorama of your home town painted Ben Johnson is your guy.He can also paint a new wing for your house.
Thursday, December 08, 2005
Big Ben From Lambethby Edward Beale.
Wednesday, December 07, 2005
There are too many good images to count at Grenouille Plus
Saturday, December 03, 2005
Very talented and prolific. Goodbrush.com
Thursday, December 01, 2005
Lots of Hard WorkFrom Olivier Kugler's Portfolio